O poder da arte

Novas insurgências estético-políticas em Belo Horizonte

Authors

DOI:

https://doi.org/10.48006/2358-0097-2130

References

CAMPOS, João Paulo de Freitas. 2014. Boemia artística e paisagem urbana: o ruído vira-lata. Belo Horizonte: 3º Colóquio Ibero-americano de Paisagem Cultural, Patrimônio e Projeto (Anais).

GLUCKMAN, Max. 2011. Rituais de rebelião no sudeste da África. Texto de aula: Antropologia 4. Brasília: UnB.

RENA, Natacha; BERQUÓ, Paula; CHAGAS, Fernanda. 2013. “Biopolíticas gentrificadoras e as resistências estéticas biopotentes”. Lugar comum, 41: 71-88.

SCHRÖTER, Susanne. 2004. “Rituals of Rebellion – Rebellion as Ritual: A Theory Reconsidered”. In: KREINATH, Jens; HARTUNG, Constance; DESCHNER, Anette (org.), The Dynamics of Changing Rituals: The Transformation of Religious Rituals within Their Social and Cultural Context. New York: Peter Lang. pp. 41-57.

TAYLOR, Diana. “Performando a cidadania: artistas vão às ruas”. Revista de Antropologia. 56 (2): 137-150.

TURNER, Victor Witter. 2008. Dramas, campos e metáforas.Rio de Janeiro: Eduff.

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Published

2015-01-15

How to Cite

Campos, J. P. de F. (2015). O poder da arte: Novas insurgências estético-políticas em Belo Horizonte. Novos Debates, 2(1), 263–269. https://doi.org/10.48006/2358-0097-2130

Issue

Vol. 2 No. 1 (2015)

Section

Opinion

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