For an audiovisual anthropology
(Mis)Directions between-gazes
DOI:
https://doi.org/10.48006/2358-0097-7130Keywords:
Audiovisual Anthropology, Marc Piault, Cinema, Ethnology, EthnographyAbstract
Marc Piault, Franco-Brazilian filmmaker-anthropologist, should be a reference not only for those who take the risks of the audiovisual anthropology fields, but also for who venture into the anthropological discipline. It is with fairness, therefore, that the translation of the book Anthropology & Cinema: Passage to the Image, Passage through the Image (2018) finally comes to light, in which the author retraces the transversal paths between anthropology and cinema, a dialectical trajectory that tooks place at the points of contact between the identities and the tensions of that knowledge. Thus, he shows how Western thought was established from the complex relationship with otherness, drawing a critical retrospective and projecting future instigators and possible paths that still need to be followed.
References
CUNHA, Edgar Teodoro da; CAIUBY NOVAES, Sylvia; HENLEY, Paul. 2017. “The First Ethnographic Documentary? Luiz Thomaz Reis, the Rondon Commission and the Making of (1917)”. Visual Anthropology Journal, 30: 105-146.
GONÇALVES, Marco Antônio. 2019. “O Sorriso de Nanook e o cinema documental e etnográfico de Robert Flaherty”. Sociologia e Antropologia, 9: 543-575.
TACCA, Fernando de. 2001. A imagética da Comissão Rondon. São Paulo: Papirus Editora.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Novos Debates
This work is licensed under a Creative Commons Attribution 3.0 Unported License.
Open Access Statement
Novos Debates is an open access journal. We do not charge any fee for the publication of articles or for access to our issues. All our content, unless otherwise indicated, is licensed under Creative Commons Brazil Attribution 3.0 (CC BY 3.0 BR).
You are free to:
– Share — copy and redistribute the material in any medium or format
– Adapt — remix, transform, and build upon the material for any purpose, even commercially
– The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
– Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
– No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.